Have you heard? The 17th annual Austin City Limits Music Festival is happening October 5-7 and October 12-14 at Zilker Park. From Paul McCartney to Metallica, The National, Shaky Graves, and Brandi Carlile, and more you might want to go this year! ACL has just released a list of tips and tricks for making this fest your best yet. If you are a newbie or even an old townie who has been going for years, information is power! Scan through this details below to know before you go.
Get Your Tickets
General Admission 3-Day Tickets for both weekends are sold out. General Admission 1-Day Tickets for Sunday are still available for Weekend Two here or at the Pre-Festival or Festival Box Office. 3-Day & 1-Day VIP Tickets, 1-Day Platinum Tickets Weekend One and 1-Day & 3-Day Platinum Tickets for both weekends are also available. Music fans ages 10 and under will be admitted free of charge accompanied by a ticketed adult.
There are plenty of ways to get to ACL Fest! Check out this page for a plethora of options.
There is no parking at Zilker Park for the ACL Festival, so take advantage of the Complimentary Official Festival Shuttles provided by ACL Fest instead! Board at Republic Square Park at the corner of 4th & Guadalupe streets and you’ll be dropped off on Barton Springs Road outside the Barton Springs West Entrance. When you’re finished rocking, hop back on for a return trip from the same spot, outside the Barton Springs West Entrance. The shuttles begin at Republic Square at 10:30 a.m. and make their final return from the park at 11 p.m. each day of the Festival.
ACL has partnered with Uber to make your experience getting to and from the festival as easy as possible. Ride with Uber for access to dedicated pick-up and drop-off points.
Cap Metro has ramped up its service this year and now offers more than a dozen bus routes that operate every 15 minutes, 7 days a week. Your best bet to get to ACL is MetroRapid Route 803. Use the CapMetro App or click here to plan your trip to the festival.
New this year, they’ve added bike parking locations near the Barton Springs East entrance! Three bike parking options will be located on Stratford Drive near the Mopac Pedestrian Bridge, Toomey Road at Sterzing Street, and on Azie Morton Rd.
Scooter and Dockless Mobility Parking is available at the corner of Sterzing Drive and Toomey Road. Additionally, Austin B-Cycle will have a station at the corner of Sterzing Drive and Barton Springs.
You can always go old school and take a taxi! The taxi pick-up and drop-off location is at William Barton Drive in front of the Barton Springs Pool.
Take the Ann and Roy Butler Hike-and-Bike Trail for a quick walk downtown and easy access to the festival grounds. Extra lighting is provided for your safety, and there are also user amenities along different spots of the Trail including water fountains, restrooms, and trash cans. View the interactive Trail map here. If you are using the Trail, be mindful of the burn-ban and responsibly discard cigarette butts.
Want to get into ACL Fest as quick as possible? Leave your bag at home! If you DO NOT have a bag, enter through the No Bag Express Lane. If you DO have a bag, enter through the Bag Lane and expect delays as bags are open for inspection. ALL bags will be searched before entry. Bags will be restricted to small purses, totes and drawstring bags only. Bag size may not exceed 14″ x 11″ x 5″ (35cm x 28cm x 12cm), or 30 linear inches (75cm) in total, and must have no more than one singular pocket or opening. Backpacks and bags with multiple pockets are prohibited.
NO LIQUIDS WILL BE ALLOWED THROUGH SECURITY CHECKPOINTS. Empty water bottles (plastic or aluminum) or hydration packs are allowed but must be emptied of all liquid and have no more than two pockets in addition to the one holding the water reservoir.
Check the list of prohibited items in advance, listen for the audio announcements and dispose of any item that is not allowed inside the festival.
Stow Your Gear
Do you want a safe and secure place to store your things while you enjoy ACL Fest and keep your phone charged? They offer 3-Day, 2-Day, and 1-Day rental lockers near the Barton Springs entrances so you can free up your hands and avoid losing any personal items during the show. Click here to reserve your locker in advance and secure the best available pricing.
Download the App
From creating your own custom schedule to mapping out Zilker Park before the fest, the app is super helpful. New this year, you can filter ACL Eats restaurants by Vegetarian, Vegan, and Gluten Free options! Opt-In for push notifications to stay in the loop on schedule changes, important updates, and emergency information all weekend long!
Fans can use their wristbands to make onsite purchases including food, art, lockers, beverages, and merchandise. ACtivate your wristband here and you can securely connect a credit or debit card, create a unique 4-digit pin and make safe, cashless transactions throughout the park.
Eat, Drink, Repeat
ACL Eats continues to feature fantastic local restaurants putting their spin on festival fare. Fan favorites such as the famous Torchy’s Tacos, The Mighty Cone, The Peached Tortilla, Micklethwait Craft Meats, and many more will be there to cure all your cravings.
Amy’s Ice Creams, Burro Grilled Cheese, GoodPop, mmmpanadas, Southside Flying Pizza, The Salt Lick, Tinos Greek Café, and Wholly Cow Burgers will all have a second location near the Barton Springs Stage (south of Barton Springs Road). Central Market will also have a booth inside Austin Kiddie Limits offering box lunches and beverages.
The ACL Bodega is a one-stop shop where you can buy quick snacks, like fresh fruit, and festival survival necessities, like sunscreen and ponchos. Stop by the Bodega near ACL Eats and the ACL Wine Lounge.
Don’t miss out on the Barton Springs Beer Hall, where you can choose from different craft brews and catch the weekend’s biggest MLB, NFL and College Football games on the jumbo screen in between sets.
Wine down at the ACL Wine Lounge located in a beautiful shady grove, the lounge features a wine shop and has something for every wine enthusiast from classic varietals to frosé, spritzes, and other specialties.
The fest will have free freshly filtered water at CamelBak Hydration Stations everywhere. Fans are encouraged to bring empty water bottles (plastic or aluminum) to fill once inside the park. For CamelBak-type water bottles, the maximum size is 36 oz.
Get Home Safe
There are several options for getting home after the fest. For a quick ride downtown, jump on the free Official Festival Shuttle from outside the Barton Springs West Entrance to head to Republic Square Park at 4th and Guadalupe.
How are you getting to ACL this year? Have you thought about this yet? Well, no need to stress! There’s a way to drive down there without dealing with the hassle of parking. Back by popular demand—it’s car2go’s famous Drop Zone! This is a magical parking area exclusively for car2go members during both festival weekends.
If you don’t know by now, car2go is a free-floating carsharing service that lets you locate one of over 300 car2go Mercedes-Benz vehicles around the Austin core “Home Area” with the car2go app, unlock the vehicle straight from the app, then drop it off anywhere in the Home Area. The entire fleet of car2go vehicles in Austin are Mercedes-Benz CLA and GLA models.
It is some of the closest free parking you can come by and the zone will be fully staffed so that cars are circulated and there is always room for incoming members to park. They’ll also have free coffee so you can get all energized and fest-ready. More on that below.
This year’s Drop Zone is at the brand new Carpenter Hotel at 400 Josephine St. 78704. The entrance is on Jesse St.
This will be the first time the hotel is open to the public, and car2go will be offering all members who use the Drop Zone vouchers for free coffee at the hotel coffee bar (up to $5 a person, from 10 a.m. – 4 p.m. while supplies last). From there it’s just a 10-minute walk right into ACL.
Download the car2go app and use the code 365CAR2GO for free registration and $10 in driving credit to get you started. Taxes and fees apply. See you at ACL, people!
The Gruene Music & Wine Festival + Craft Beer Event, which began way back in 1986, is a four-day festival with four distinct events to offer. This long weekend of fun in one of the most charming and historic parts of Texas is a celebration Americana music, wine, craft beer, food, and local makers. There will be more than 90 Texas wines and 75 Texas craft beers for tasting, so come thirsty. Everyone from Shinyribs to Clint Black and Emmylou Harris has played this iconic event.
Since its founding, the fest has always benefited the Comal County United Way, a charity whose mission is to improve the quality of life for locals by generating resources to meet the needs of the community.
Check out the day-by-day details below and click here to get your tickets! If you haven’t been to Gruene, this will be the perfect intro to a true Texas gem.
When: October 4th – 7th
Gruene Historic District
THURSDAY: KICKOFF EVENT
Specially curated wine & beer tasting
VIP Tickets Available
FRIDAY: ROCKIN’ WITH TEXAS WINE & FOOD
Private show & meet ‘n’ greet with Aaron Watson
Wine tasting by three of Texas’ best vineyards
Catered Dinner by The Gristmill River Restaurant & Bar
The Great Guitar Auction
SATURDAY: TEXAS TASTINGS & TUNES
90+ wines for tasting
SUNDAY: + CRAFT BEER EVENT & MUSIC FEST
Over 75 craft beers for tastings & wines for purchase
Tonight’s Hartman Foundation Concert in the Park will be the perfect way to wind down the weekend. These weekly concerts are one of Austin’s true summer treasures. The city at sunset is a beautiful backdrop to the music. Don’t forget to bring a picnic dinner and a blanket!
Each week features a different ensemble of the Austin Symphony. They will play a variety of music, everything from jazz and light classical to pop selections and film scores. Tonight’s theme is brass and next Sunday it’s big band!
When: Today, August 19th
Time: 7:30 – 9:30 p.m.
Austin Symphony At The Long Center
701 W Riverside Dr.
Austin, Texas 78704
It’s time again for that festival that combines three of our greatest passions—slow smoked meat and vino—along with amazing live music into a giant Texas Party.
Come out to Spicewood Vineyards for the BBQ & Wine Festival. Watch the recap video of last year’s epic experience here to get a good idea of what you are in for. This year none other than The Cory Morrow Band will be headlining a lineup that also includes Django Walker, Drew Womack, and Barnhill!
Get your advance tickets now for just $59, which get you unlimited BBQ from the greats below and free wine tastings to wet your whistle from 4-6 p.m. (or until the wineries run out!).
The event will most definitely sell out, so don’t think about it too long. You can buy your tickets righthere.
BBQ Vendors include:
Salt Lick BBQ
Kreuz Market BBQ
Schmidt Family Barbecue
It’s All Good
Bring your chairs and blankets to the festival, but outside food and drink will not be allowed in.
When: Saturday, July 21st
Time: 4-10 p.m.
1419 Co Rd 409
Spicewood, TX 78669
Tonight at the glorious Central Library, the Austin Symphony quartet will perform pieces from or inspired by Latin America. If you haven’t visited this temple to books and civilized society, then this is a fabulous occasion to see it for yourself. The Austin Public Library and the Austin Symphony and will host two other quartet performances this year on September 6 and November 1.
Central Concerts bring musicians and the community together for free live performances at the Central Library.
Free and open to the public!
When: Today, June 11th
Time: 7 – 8 p.m.
Demonstration Area (1st floor)
710 W. César Chávez St.
June in Austin is when everything starts to heat up for real: the weather, the weirdness, and the lineup of fun things to do. In between dips at Deep Eddy, escape the heat at indoor venues, or revel in the sun at these awesome events this month.
6/3 to 6/30 Round Rock Express Home Games
If you’re looking for something that’s both family-friendly and fun, head out to Round Rock this Sunday and watch our Minor League baseball team head off against their arch enemies, the Nashville Sounds. It’s H-E-B Kids Day, featuring a postgame run the bases for kids 12 and under. Game starts at 1:00PM, but get there early so the kids can enjoy events outside the stadium.
Tickets: $10 – $20
Get Tickets Now
6/3: George Strait at The Frank Erwin Center
The Frank Erwin Center is celebrating its 40 year anniversary with an exclusive “STRAIT TEXAS” show by George Strait, who has performed at the venue more than any other artist.
Austin-based Grammy winners Asleep at the Wheel are opening for the country legend. Doors open at 7:00 PM.
Tickets still available: $208 – $989
Get Tickets Now
6/4: Paul Simon at The Frank Erwin Center
Whether or not you believe Paul Simon when he says this is his farewell, his Homeward Bound tour (a nod to the 1966 Simon & Garfunkel single) is the culmination of a storied career and guaranteed to be fantastic. Watch one the greatest living American songwriters perform the songs that struck a chord with us and became classics. Tickets: $56 – $536
6/10: Bill Clinton at Bass Concert Hall
Spend a Sunday wrapped up in a suspenseful tale of spies, cyberterror and betrayal with former President Bill Clinton at Bass Concert Hall. Texas Performing Arts is hosting the conversation, where Clinton will discuss “The President is Missing,” the novel he co-authored with the world’s bestselling writer, James Patterson. The event starts at 7:30 PM.
Tickets: $22 – $586
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6/13: Maps and Atlases at Scoot Inn
Hit up Historic Scoot Inn for a night of post-rock with Chicago band Maps & Atlases and openers Prism Tats and Slomo Drags. They will be performing Lightlessness Is Nothing New, their first album since 2012, which was released June 1st. Rock out while enjoying rosé on tap and the Taco Flats food truck in the backyard. Doors open at 6:00 PM.
Tickets: $75 – $99.
Get Tickets Now
6/16 – 6/17: Greater Austin Comic-Con
Get your geek on the weekend of June 16th-17th at the Greater Austin Comic-Con. Held at the HEB Center in Cedar Park, this event is a family-friendly celebration of all things pop culture. From 10 AM to 5 PM both Saturday and Sunday, enjoy a day filled with games, cosplay contests, vendors, entertainment for kids, celebrity guest panels, and more. Parking will be $5 and is cash only. Dress to impress!
Tickets: From $48
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6/16: Shakey Graves at Stubb’s
Catch Austin native Shakey Grav (aka Alejandro Rose-Garcia) at Stubb’s outdoor stage for the second stop on the tour for his latest album, Can’t Wake Up, released May 4. This album marks a departure from his folksy roots in lieu of a poppier, hazier and headier sound. Fans who missed him at GSD&M in May jumped at the chance to see him at Stubbs, so be sure to snag tickets for the sold out gig ASAP. Jonathan Terrell opens.
Tickets: $33 – $91
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6/16: Post Malone with 21 Savage at Austin 360
If hip hop is more your scene, visit Austin’s biggest venue and bounce to Beerbongs & Bentleys –#1 on the Billboard 200 chart – with Post Malone on June 16th. Starting at 8 PM, the multi-platinum rapper 21 Savage kicks off the night with special guest SOB X RBE at Austin360 Amphitheater at the Circuit of the Americas.
Tickets: $115 – $403
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6/23: Ultimate 80’s Dance Party at 3TEN Austin City Limits
Get your Ren McCormack on and dance the night away with Austin-based DJ Mel on Saturday June 23rd. 3TEN Austin City Limits is the sister venue to ACL Live at Moody Theater; there’s lots of space to dance and an outdoor patio. DJ Mel (aka Obama’s DJ) is the Official DJ for UT’s Football and Men’s Basketball Teams. A member of the Austin Music Hall of Fame, he’s sure to play beats you’ll want to dance all night to.
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6/25: JoJo at Antone’s
Whether you’re pumped that JoJo’s back, or you’re a diehard who knows she never left, you won’t want to miss her Leaks, Covers & Mixtapes tour. Before she heads to the studio to record new music as part of her recent deal with Interscope Records (through her own imprint called Clover Music), she wants to treat fans to old favorites and leaks from her upcoming projects. Doors open at 7:00 PM.
Get Tickets Now
6/27: Brit Floyd – Pink Floyd Tribute at The Moody Theater
Did you always dream of seeing Pink Floyd play live? Here’s your chance to get as close as possible. Friday June 27th, the world’s greatest Pink Floyd tribute band is playing an Austin City Limits Live show at The Moody Theater. The show is a ’45th Anniversary’ retrospective of Pink Floyd’s iconic 1973 album, The Dark Side of the Moon. Come out and listen to arguably the greatest rock album of all time. Show starts at 8:00 PM.
Tickets: From $94
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6/28: Mo Amer at Paramount Theatre Austin
Austin’s comedy scene is booming, which means we’re getting some of the brightest up and coming stand-up stars. On Thursday the 28th, catch Mo Amer performing at Paramount Theatre at 7:30 and 9:45 PM. Mo Amer hails from Houston and has quite the performance pedigree; he’s done hundreds of shows with Dave Chappelle, been on The Late Show with Stephen Colbert, and is a paid regular at the Comedy Cellar in New York City. He has a one-hour Netflix special coming out this year.
Tickets: From $18
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6/29: Chris Brown at Austin360 Amphitheater
Head to Del Valle one last time in June to watch Chris Brown’s miraculous dance moves in person. The tour, Heart Break on a Full Moon, is named after Brown’s eighth studio album, a 45 track monster that managed to debut in the top 5 of the Billboard 200 albums chart. H.E.R., 6LACK, and Rich the Kid are opening, starting at 7:00 PM.
Tickets: $29 to $218
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6/30: Weezer and Pixies at Austin 360
Send off June the right way with a monumental show at Circuit of the Americas. In their first full tour together, powerhouse Weezer and the legendary Pixies are co-headlining for seven weeks across North America. The Pixies will play a mix of beloved classics that have influenced countless musicians and new music, while Weezer will perform off their eleventh studio album, Pacific Daydream – a perfect summer album. Doors open at 6:30 PM, show starts at 7:30 PM.
The 41st spring Pecan Street Festival (PSF) takes place this Saturday and Sunday on Sixth Street (formerly known as Old Pecan Street). The twice-yearly event boasts hundreds of artisanal vendors, food stalls and a ton of local, live music on three stages. The PSF is the largest, and longest-running Texas’ music festival of it’s kind.The festival is free for all ages.
Organizers encourage attendees to leave their cars at home and take public transport, ride share, bike or carpool to the event. Capital Metro just announced extended hours from 10 a.m. to midnight on Saturday during the event. Attendees are strongly encouraged to explore the live music offerings. Some of our picks include; Blushing, Lola Tried, Los Coast, Ex Romantika, The Gary, Jane Ellen Bryant and El Tule. The entire lineup and set times can be found on the PSF website.
We talked to Ryan Cano, the festival Music Director about how things have changed since he took the helm four years ago. As a music manager, booking agent and former musician for over 20 years, Cano possesses both the experience and intelligence necessary to carve out a career in the Austin music industry. He has operated music booking and management company, The Loyalty Firm for almost 15 years. That is no small feat as you’ll learn below.
Photo: Will Taylor
365 Things: You’ve been booking Pecan Street Festival for few years now. How long has it been? How has your approach to booking the event changed from the first one until now?
Ryan: It’s been close to four adventurous years with the Pecan Street Festival! I’m not sure my process has changed too drastically since I became the Music Director & Talent Buyer here. I’d say I just fine tuned my processes as I went along. I was pretty well-served by creating and producing hundreds of smaller concerts over the years before earning this role.
I first started at the festival back in June 2014 so there was not a lot of time to book and deliver a Fall lineup. Mentally compartmentalizing my new challenge with the festival allowed me to relax and face booking the festival confidently. I told myself this is much like booking and producing 10 concerts at once except there will be a staff of people ready to assist me if I needed help. I quickly found my groove here and was able to organize and tackle my responsibilities fairly well. It shouldn’t be too surprising that my first festival at PSF was largely booked with artists I had prior experience working with in some capacity.
I manage My Education and Built By Snow and they’ve played with a lot of very talented artists over the years so there were alot of prior relationships I was able to reach out to. There was some initial first time’s bookings outside the scope of my knowledge in that first fest and I leaned on artist suggestions from other concert promoters and journalists in town who were curating or covering scenes I wasn’t as experienced in. I would then listen to the suggested music and then see the artist live and just go from there. Before I started booking my second festival at PSF, I did some professional self-evaluation, focusing heavily on filling in the gaps in my knowledge and learning more about our community’s music scenes that I felt I didn’t know intimately enough. This process really opened up my eyes to the extent that music talent surrounds all of us in Austin. It’s pretty astounding. I have a wishlist of artists I would like to have at Pecan Street Festival that could fill the next several years of lineups fairly easily.
Over the years I have definitely grown more comfortable in the Music Director & Talent Buyer role and I’ve made a few changes along the way that I felt improved the audience experience. For instance, I will only book an artist once in a calendar year so our Spring fest will look completely different than our Fall fest. I’ve learned to easily pivot from one vision to the next as well. Sometimes you start with an idea in mind of how a stage will be thematically and it turns out differently than planned due to a myriad of possible reasons. There tends to be magic moments in that phase of booking as it makes you alter your perspective and consider something you have not been focused on. I’m proud of what’s been placed on stage over the years. I feel the festival is showcasing the most diverse musical offerings of any festival of our kind. We give artists of all ages and genres a chance to showcase their talents to a curious audience that shows up in droves. We had record attendance both seasons last year and I hope we continue with that trend. This is the 41st Spring season of the Pecan Street Festival and although a lot has changed in Austin, this festival feels like a step back-in-time. This is classic Austin. I’d add that for new residents who feel overwhelmed about where to start in Austin’s music scene, the Pecan Street Festival offers a chance to explore many acts for free! Walk around and find the sounds that speak to you.
What artists are you most excited about this Spring Pecan Street Festival?
I definitely have some intrinsic happiness about how well-balanced the music is this Spring. There really is something for everyone. We have some incredible R&B, Soul & Hip Hop artists like Los Coast, Melat, Alesia Lani, Zeale and Fort Never on Saturday performing on our Neches Main Stage. We have really awesome Americana on Sunday on the Neches Main Stage from Striking Matches, The Watters, Miller Campbell, Jane Ellen Bryant and Scott Collins. We offer many styles of rock n roll from shoe-gazers like Blushing to the whip smart indie from Lola Tried or legendary punk rockers Terminal Mind. We have u18 artists RIIL Chemistry, the Austin Children’s Choir and Midnight Butterfly. Electronic and bass heavy music from Bassline Drift, Emme, NGHT HCKLRS and Glass Cannon will also perform. We have latin artists on both days across many stages and genres of sound including Cilantro Boombox, El Tule, Chulita Vinyl Club, Ex Romantika, Slowly Grace and Ley Line. Rock, Americana, Dance, Country, Folk, Punk, Funk, Singer-Songwriter, multi-lingual music are all represented. The bill is 98% local. Our stages at PSF are a reflection of the talent our community contains. These are our neighbors on stage.
Photo: Kat Alyst
You get to hear a lot of great new music. Beyond submissions to Pecan Street Festival where do you go to find new music? Why do you prefer those channels?
I have an old-school tactic that dates back to being in a band, learning my scene and who to play with when I first moved to Austin. I study the entire venue calendar in the Austin Chronicle every week. I study what bills are being curated across the city and what artists are playing where. You start to see themes emerge and you can even see an artist progressing this way. It’s pretty handy and I find myself doing this out of habit. Whether an artist was pitched to me or suggested, I spend a lot of the time discovering new artists that I am unfamiliar with using streaming services. These days, I’d rather take my initial spin of a new (to me) act through a Soundcloud or Bandcamp link. I like to make playlists of artists I need to research more in depth and Soundcloud is an especially great option for that. You can get a mini-sneak peak of a stage lineup you’re building this way. Sometimes I’ll check if an artist is on Spotify or Amazon Music and listen there too.
I’ll also watch live music performances on YouTube or preferably see the artist live. Seeing an artist play a show in Austin is a still a wonderful way to spend an evening. The number of small businesses you can support by going to a local show is impactful. I love it when I accidentally catch an act while I’m out. This is probably more of a step two for me if I’m not familiar with an artist….ultimately I am hiring a live performance for the festival so that’s my focus after listening to the music
Related question… if streaming music is the primary way music is being discovered and listened to, how does that model benefit artists? Where do you see this sector headed given the low profits for both platforms and artists thus far?
Streaming is the most efficient and often, the initial discovery option. As a consumer of music, streaming is incredibly convenient. A streamed track can follow you from your laptop to your phone to your car without much interruption. The streaming music industry is still trying to figure out what its business model is so it’s hard to put faith and trust that this new way of distributing music can support an artist any time soon. Most of these companies are simply trying to figure out how to sustain themselves and keep the lights on. I’m not sure the health of the artist community is a significant factor of these companies. I think that is largely because they don’t know where [the industry] will end up and that’s because the sector is still evolving. Using a device like Alexa to call out music you want to hear is a game changer in a lot of ways. We are shortening the timeframe between thinking of a track we’d like to hear and being able to command that thought into reality. We’re interacting with music in new ways that challenge the notion of what streaming music is. Streaming from cloud-based sources and the idea of access to music libraries versus owning your own private music library seems to be the new norm.
Ultimately to trickle down to the artists and songwriters, it will likely take government regulation to see something better than what is in place now. In my estimation, there needs to be a readjustment in how royalties are accounted for with music streams, much in the way the industry adjusted their royalties with the CD when it took over for vinyl and cassettes sales in the 80s.
In terms of how I see the sector progressing, I think we are going to see the major players push into areas that aren’t quite their core competencies to deliver a richer customer experience. For instance, there’s no reason Spotify can’t begin playing select music videos from an Artist’s album and thus increasing the capacity to do visual ads on their platform. They are largely focused on audio but I can see Spotify expanding into that user experience. In truth, the audience likes consuming music both ways: audio-only and with visual accompaniment. This is proven by YouTube remaining one of the main music discovery websites for younger audiences. Apple Music probably offers one of the more seamless digital experiences. The iPhone and iTunes work well within the Apple ecosystem.
There’s no doubt that indie artists benefit far more on the financial end from Bandcamp than almost any other platform.It might not be a fair comparison as I view Bandcamp as more of an artist’s digital/physical catalog with a streaming player and merchandise offered direct. I would like to see Bandcamp move into artist ticketing and pre-sale tickets for tours much like Music Glue.
Amazon is moving into ticketing. There’s going to be a push into ticketing with Alexa. Personally I think if Amazon made a big push into having artist pages and letting artists set up their custom digital and physical stores at their website, it might an be undeniable experience for all parties: artist, fan and Amazon. Amazon Music is interesting because they are hiding in plain sight and yet they aren’t first to most people’s minds [when they think about music] even though they have the infrastructure to support an artist’s online and physical music and merchandise easily if they desired. We’ve seen a version of this with artist direct deals Garth Brooks signed with Amazon. This program should be expanded. Much like Amazon does with authors, financially investing in musicians and offering direct and exclusive digital deals would be smart. How many great artists do you know that could use $3000 for their album? I know plenty. Instead of exclusively doing direct deals with superstars, there’s a huge market to be had working with lower-tier artists much like Bandcamp does. I think there is a way for all artists involved in the streaming world to be happy but we have yet to find that balance. Currently, there’s almost no way for an indie artist to survive within the streaming business structure.
Photo: Kat Alyst
The good news is there are ancillary ways streaming can help an artist, even if it is as simple as a guy like me researching the music of someone I end up hiring for an event. There’s indirect benefits to be had for some artists that aren’t quantified.
Last time we did an interview we talked about the state of the Austin music scene. Some things have changed for the better like one extra hour of outdoor live music in the Red River Cultural District (RRCD) during the weekend. What else has improved locally for the music industry since then? What challenges that remain are most critical in your mind?
The extra hour for RRCD venues was pretty huge in my opinion. I’m hoping this is the kickstart to garnering some real momentum (changing the music business) in Austin. An extra hour is a big deal because live music is the stickiness that keeps patrons inside a venue. An extra hour every day over the year could be the difference in a venue surviving or not. This city still has more venues and stages to play on than I can ever remember so that is ultimately a great thing for the working musician. I like that the music community has more sectors to play in other than downtown. New or mostly new music venues like The Little Darlin’ or The Electric Church are curating great music in sections of town where that experience was previously absent.
There’s still critical challenges ahead. We are the Live Music Capital of the World yet outside of live music, we don’t have a major music industry employer in town that extends beyond that realm. Recently there were rumors of Austin city leaders recruiting a BMI office here and that is absolutely the step in the right direction. I mentioned in our previous chat that I would like to see the city go after a larger music business in the way we have for Apple or Samsung in the past. The amount of income the music industry earns for the city justifies exploring further investment. It would be great to have a major music publisher or music streaming company open an office here. There’s plenty of qualified people here to work for those businesses. There’s many small business owners in Austin and the surrounding area managing music artists and putting out records. We could leverage their entrepreneurial skill sets amid a larger music companies’ missions. The city will start to lose talent if we don’t offer a way for people to expand upon their careers outside of live music. We truly need to diversify.
Affordability still feels largely unaddressed, for artists and citizens alike. My concern when we last talked was, “The developments that dampen our ability to afford living in Austin move a lot faster than our discussion on helping artists and helping affordability.” This still feel true. How many new hotel and condo developments have been propped up since we last talked?
This past weekend the only daily live music venue on Rainey Street, The Blackheart closed and has a gigantic development looming behind it. There feels like a cycle that isn’t ending here in Austin and there should be real concern and action in helping venue owners succeed. When you lease a place to start your business, the idea is you’ll be working for your customers, not your landlord. Catastrophic rent increases are all too common. Real estate speculation is leaving most of us behind, artist or not.
The City of Austin been more open to helping the music community than any other administration that I can remember. I have faith that Mayor Adler will find good solutions to our community’s challenges. To be frank, there’s an element of “promise fatigue” as it relates to the city. I think we all know government moves slow but I’m hungry for more action. I was ready for action two years ago and we’re still having the same conversations! It’s much like trying to jog our way out of quicksand. Each time we delay conversations about what to do, the processes that are already developed and in place, like real estate projects, cruise on by. We need to ensure the Austin music industry does not get left behind. We need to move faster and in sync as a community.
What are you listening to lately?
It varies wildly from day-to-day. There’s moods I’m trying to illuminate sometimes and other times I’m just merely checking out stuff and exploring. I’m still a big fan of the album format so I still love to check out the vision or statement being made by the group. I have been listening to many artists more in-depth or even for the first time lately. I’ve been wanting to expand my music knowledge about certain genres that I don’t feel I have explored enough. Lately, I have been diving into Country and Americana sounds but I still mix it up. I’ve recently gone deep with Bill Callahan, Gucci Mane, Mono, Willie Nelson and Mala Rodriguez’s respective catalogs.
What 2018 records would you recommend to our readers?
Austin’s Soul/R&B and Hip-Hop scenes are having a real moment right now. The spotlight should be much brighter on what is happening in those Austin music scenes. The music that Alesia Lani, Mélat, Los Coast, Tameca Jones, Magna Carda, Mindz of a Different Kind, Cha’keeta Banita, Abhi the Nomad, Zeale or Pat G is making right now is nothing short of amazing. Many of those artist I mentioned you can catch this weekend at the Pecan Street Fest.
Below are a few albums released in 2018 that I have had on repeat since hearing them:
A Place To Bury Strangers: Pinned (2018 Dead Oceans)
Beach House: 7 (2018 Subpop Records)
Honey and Salt: S/T (2018 Spartan Records)
J. Cole: KOD (2018 Roc Nation Records)
Melat: Move Me II: The Present (2018 S/R)
Some albums that came out last year that I still listen to quite often include:
Alesia Lani: Resilient (2017 Keyzstreet Music)
Cloud Nothings: Life Without A Sound (2017 Carpark Records)
Golden Retriever: Rotations (2017 Thrill Jockey Records)
METZ: Strange Peace (2017 Subpop Records)
My Education: Schiphol (2017 Headbump Records/Golden Antenna Records)
The War on Drugs: A Deeper Understanding (2017 Columbia Records)
Anyone that knows you, knows you’re a big fan of gourmet pizza. What are your favorite spots in Austin?
My favorite spots include Via 313, Bufalina, and 40 North. These places make pizza perfection consistently and it’s hard to not enjoy yourself at these restaurants. I also love a cheese slice from Stoney’s after a show. There’s many more places in the area that are great in town like Backspace, Pieous, Homeslice, Pinthouse, 600 Degrees. The pizza in Austin and the surrounding area is legit. Pizza is truly the perfect food. I’m pretty much always in the mood for a slice!
Earlier in the week we told you LEVITATION was back from a hiatus in 2017. Last night the festival formerly known as Austin Psych Fest indeed made an impressive comeback in the first of four days of the festival, selling out Stubb’s BBQ and Barracuda then packing a handful of other venues by presenting a carefully curated roster of psych-rock, garage-punk and shoe-gaze that pleased fans at every turn. From the visuals at Dead Meadow’s sold-out Barracuda performance to the non-stop crowd-surfing at Ty Segall’s set to the neo-pysch perfection that Austin’s Holy Wave delivered at Cheer-Up Charlie’s we got treated to a smorgasbord of underground rockers that typically don’t appear on on festival bills together. For that, we have Rob Fitzpatrick and the Reverberation Appreciation Society (festival founders) to thank.
Ron Gallo opened the Stubb’s show Thursday and by all accounts turned in a worthy performance before local heroes A Giant Dog took up their positions on stage. It’s likely hometown bias, but AGD may have played the set of the evening with another energy-packed show by lead vocalist, Sabrina Ellis and her song-writing partner, Andrew Cashen (guitar) who ended up on his back crowd-surfing during the set closer, Sparks cover song, “Angst in My Pants.” The group is known for their thrashed-out send-ups of obscure hits and this one is a favorite. Not admitting to it, but we may have involuntarily shrieked when Sabrina introduced the song. The rising act signed to Merge Records open for Jack White next month at all his Texas dates including May 2 at COTA.
A heavily anticipated Parquet Courts set began a slow ramp-up the setlist that won over even dubious attendees who claimed they didn’t know or like the Brooklyn wonders who strangely appeared on the “Ellen” show last week. Their fusion of garage rock, indie rock and Americana is not only hard to pinhole into a single genre, we’ve not heard a variation on a similar theme done quite the same. Parquet Courts are one-of-a-kind. That much is certain.
Ty Segall followed with his typically loud, in-your-face guitars and a slew of songs. To say the man is prolific in terms of putting out new material would be a gross understatement. The fringe rocker averages about three new albums a year. Who does that? While we enjoyed his relentless pace, we downshifted a moment and left Stubb’s early to catch Austin via El Paso and San Marcos neo-pscych act, Holy Wave at Cheer Up Charlie’s for their album release show.
The group played in front of the outdoor stage with that rock wall adorned with a psychedelic backdrop that had more trippy visuals projected onto the screen during the stellar performance Holy Wave delivered. The six-piece were on point as you might expect a band to be that is about to embark on a multi-city international tour in support of “Adult Fear” the new record the band played in full last night. Grab a copy of that record. Trust us. It’s worth every cent and then some.
We closed out the night at Barracuda for Christian Bland and the Revelators. Bland is The Black Angels’ lead guitarist and a festival founder. After watching our favorite touring psych-rock guitarist play his own warped compositions as well as a mind-bender of Syd Barrett-era Floyd song, we headed outside for Dead Meadow.
As tired as we were, the jam-oriented D.C. outfit gave us a late second-wind between the extended, intricate jams and the eye-popping visuals projected both behind the band and on the two-story wall along the left side of the outdoor patio. The festival had transformed the Seventh Street club into a psychedelic wonderland. A place to freakout. For a minute we wished we had better drugs. Then thought better of that sentiment and safely headed home with an exhausted grin.
Official LEVITATION 2018 commemorative poster by Robin Gnista
After the disappointment of a hiatus year in 2017 LEVITATION, the original psych rock music festival produced by members of The Black Angels returns to downtown Austin April 26-29. Reborn a multi-venue festival after disastrous weather incidents at Carson Creek Ranch in 2015 and 2016 forced festival founders Rob Fitzpatrick, Alex Maas and Christian Bland to rethink the camping festival format for the internationally popular niche music fest. The secret to the popularity of the event is simple. The organizers curate lineups they want to see much like independent Austin booking company Margin Walker helmed by Graham Williams. The two groups share that philosophy. It doesn’t hurt that both have impeccable musical taste.
This year’s lineup is appearing at venues primarily situated in the Red River Cultural District plus a few East Austin locales. As expected, the caliber of acts is solid from the bottom of the bill all the way to headliners; The Black Angels, Slowdive, Ministry and Ty Segal. Music fans won’t find a similar bill anywhere else in America. Bookers curating a lineup as unique as LEVITATION has become exceedingly rare with all the consolidation in the festival market which means you should care about this one music fans. Especially if you haven’t heard of most of the acts performing. This event is as much about music discovery as it is about booking great sounds and showing neo-psychedelic art.
Honestly the entire schedule is worth checking out. Since you’re probably not going to buy tickets to every show, we’ll highlight a few we think are worth taking a second look at. Also worth taking a look at is are the incredible official LEVITATION posters the festival commissioned from various local artists ranging from Jaime Zuverza to the festival’s own Christian Bland. Fans can purchase the designs directly from the LEVITATION poster page.
Poster by Mishka Westell
Thursday, April 26
This is going to sound counterintuitive but hear us out… Ty Segall is fun enough to watch and you should, except on Thursday (Segall performs again Friday at Barracuda) when you’d do better to hit Stubb’s BBQ early for openers A Giant Dog (Austin) and Parquet Courts (Brooklyn). Both are known for exceeding expectations live as we can attest. songwriting partners, Sabrina Ellis and Andrew Cashen have consistently made impressive garage punk recordings with their band A Giant Dog but it’s their astounding live performances that have gotten them the kind of attention deserving of an act this talented. Parquet Courts are similar in the way their recordings hint at the greatness you’ll see when you catch them on stage. Their mix of rock, punk with a dash of Americana is hard to classify. Let’s just agree they make good music. After seeing the band perform at Primavera Sound Festival in Barcelona a few years ago we went from casual fan to avid.
After Parquet Courts finish, head down the street to Beerland for a noise bomb trifecta of Suspirians, Blushing and Ringo Deathstarr. All three are Austin-based. All three are really fun to watch perform. Besides there’s no better way to kick off LEVITATION than at the seediest, punkest bar on Red River.
Friday, April 27
We’re truly torn on Friday given all the great shows listed on the LEVITATION schedule but one stands out to us for a few reasons. L.A. Witch, DIIV and Ariel Pink at Empire Garage presents a number of positives. This performance is presented by Desert Daze, a sister festival in California. L.A. Witch were truly great the last time we caught this all-girl act when they come through town. Their Hotel Vegas set was something special. We’ve been keeping track of the West Coast upstarts led by Sade Sanchez. They’re riding the wave of great female-led acts into an exciting year. DIIV might be the most suspect recommendation of this lineup as lead vocalist, Zachary Smith must have been really high during his LEVITATION Fest set a few years ago. The performance was good, but not what was advertised. He kept repeating the same lame stage banter. Perhaps he was nervous? That said we’re looking forward to a “make-up show” of sorts. Headliner, Ariel Pink put on a visually explosive performance when we saw the LA artist also known as Ariel Rosenberg at Mohawk in 2016. We missed seeing the band’s gig at The ‘Hawk last year thus the group’s appearance in this preview.
Poster by Robin Gnista
Saturday, April, 28
The conundrum that is Saturday’s lineup choices is one we wouldn’t put on any devoted psych-rock fan. There’s just too much good music happening on Red River. A clone (or two) would be nice. Assuming you don’t have a clone either, we made some hard decisions for you. Get out early Saturday for The Rotten Mangoes set at Cheer Up Charlie’s. Known for great cocktails, this the perfect place to catch one of our favorite local acts deliver a sonically pleasing psychedelic experience while you sip a quality libation at happy hour. We recommend the Golden Ticket with kombucha, whiskey, ginger and lavender. After you can hang around for South Americans, Boogarins or try door number two…
Head across the street to Stubb’s for Alex Maas’ latest project, Mien. Comprised of Maas and members of the Horrors and The Earlies, the experimental psych rock group takes different approach to similarly dark material of The Black Angels. Electronic horrorscape act SURVIVE perform following Mien. The group gained notoriety by writing the theme song to hit Netflix show “Stranger Things.” Headliner, Slowdive is an example of the type of act the festival founders loved as young music fans (the band formed in England in 1989) and booked for the festival when it became apparent the group had been relaunched via a new Twitter account after band members changed musical direction in 1995.
Side note: If you’d rather dance your ass off late Saturday evening, head to Empire Control Room and Garage for Austin’s answer to LCD Soundsystem, The Octopus Project. DJ Dan Deacon will take it home after Octopus Project.
Poster by Simon Berndt
Sunday, April 27
Our recommendation for Sunday might seem obvious. Go see The Black Angels at Stubb’s BBQ. But don’t just go to see the legendary neo-psych pioneers headline the last night of their festival. Don’t get us wrong. It’s going to be amazing. Particularly with visuals from the Mustacio Light Show enhancing your viewing pleasure. But get there early for Austin’s Annabelle Chairlegs who open the show. The group is one of our favorite local acts precisely because their approach to psych-rock is decidedly different than many of their contemporaries. Lead vocalist Lindsay Mackin puts a decidedly pop spin on the songs while guitarist Matt Schweinberg melts faces with his solos. We’re eagerly anticipating their upcoming new album.
San Francisco sister act to TBA, Brian Jonestown Massacre is no stranger to the festival having played LEVITATION twice before. Catch them just prior to The Black Angels closing set. We usually trip out on tambourine player Joel Gion’s massive sideburns and retro-chic clothing while watching bandleader Anton Newcombe shred on guitar.
Tickets to LEVITATION are available for most shows scheduled. Check the festival website for more information.