Mother Nature has been a beast lately. For those that are feeling called to help with Mexico City, the Mexic-Arte Museum is collecting donations to send down there.
LIST OF WHAT YOU NEED TO COLLECT:
Canned food (tuna, sardines and beans)
infant milk powder
diapers for baby and adult
gauze, no punches
14, 16, 18, 20 and 22, electrodes
5 ml syringes. 10 ml.
surgical gloves 6 ½, 7, 7 ½ and 8
physiological water of 500 ml.
Gloves of rough use
nails of 2 “
gloves of carnaza and shears.
LARGE CONTAINERS TO STORE DONATIONS COLLECTED
SUNDAY 24: A group of photographers from Ideology Photography will make portraits and donations will be sent to the affected areas.
Photographers: Tania Bustillos
@Photography by Laceymarie
@The Photo Bus ATX
SCHEDULE: 3-6pm at the Mexic-Arte Museum They will receive support from Thursday, 21 to Sunday, 24. Hours: 10 am to 6 pm W/Th; 10 am – 9pm Fri; 10am – 5pm Sat; 12-5pm Sunday.
All collected will be sent Monday by DHL to a point located in Colonia Roma in Mexico City to Maasi Group www.maasigroup.com where it will be distributed around the most affected areas.
Alright everyone, we officially have plans the day after Thanksgiving and we aren’t shopping—we’re drinking. Eater reports that the Christmas pop-up bar known as Miracle, is coming our way this holiday season and bringing themed cocktails that will make everything merry and bright:
“The New York-based pop-up will transform Roosevelt Room’s next-door event space The Eleanorinto Miracle on 5th Street. The temporary bar will offer seasonally-themed cocktails and kitschy decor from Friday, November 24 through Christmas Eve on Sunday, December 24.”
Can you imagine anything more fun than having a Bad Santa (mulled red wine, tawny port, orange liqueur, spices, golden raisins) or a You’ll Shoot Your Rye Out (pumpkin-spiced rye whiskey, Budweiser, marshmallow syrup, egg) at this completely decked out holiday hot spot and then heading over to the Zilker tree and spinning around with your buds? The answer is no, no you cannot.
The holidays in Austin just keep getting better. Head over to Eater for a full list of the themed cocktails.
The smoking must go on! Even though our beloved Franklin Barbecue sustained major damage from a fire, the people behind everyone’s favorite joint are pulling together for others in need. Don’t miss this chance to support our neighbors in the Gulf Coast region with some of the best food on the planet.
When: Today, September 17th
Time: 11 a.m. – 3 p.m.
Cost: $30 at the door
912 Red River Street
Austin, TX 78701 United States
Oskar Blues Brewery Austin is turning one year-old Saturday. To celebrate they’ve put together a stellar psych-rock bill featuring The Bright Light Social Hour with support from Abram Shook and The Halfways. Fans can win tickets by tagging 365 Things Austin’s Instagram account and a friend you’d like to take to the show. A second chance to win a pair of tickets comes in the form of reposting this story and tagging us on Facebook and Twitter. Contest runs through noon on Saturday. If you would rather just purchase advance tickets, here’s the link. RSVP via Facebook here.
Four new beers will be available in the tap room only meaning you can’t run out to HEB and grab a sixer. These are Texas-only offerings. There will be a Brewhouse specialty lager, gin barrel-aged Mama’s Lil Yella Pils, the introduction of an imperial red ale and a beer called Spinner. Food from Gobble Gobble and Hecho en Queso (4-11pm) will be available for purchase. Fans will also have the opportunity to pick up a custom, live screen-printed shirt from Fine Southern Gentlemen.
All that good food and drink is great but the reason you want to party with Oskar Blues Brewery is the great slate of Austin bands performing. The Bright Light Social Hour (TBLSH) has two full-length records out and a third on the way according to tour manager Katie Marschner. Their blues-rock debut featured a few local hits including, “Detroit,” “Back and Forth” and the unforgettable “Shanty.” The band shifted gears with their next full-length, heading in a decidedly psychedelic direction with “Space is the Place.”
TBLSH recently performed at Solstice Festival earlier this year with Built to Spill, JJ Grey and Mofro, CAPYAC and Radio Moscow among others. We overheard musicians backstage talking about TBLSH. They were impressed. They’d also forgotten how good the quartet led by Curtis Roush’s blazing guitar. Jack O’Brien (bass), Joe Mirasole (drums) and Edward Braillif (keys) is.
Supporting acts, The Halfways and Abram Shook represent a different take on psych rock than TBLSH but no less enjoyable. The Halfways ethereal sound is both haunting and lush, like a dreamy sonic landscape punctuated by a standard setup that included an eerie organ on one of their new tracks co-founder Daniel Fernandez sent us. They call it psych-noir. We call it trip-out tunes that are perfect to chill out to after a long day at work. The quintet also features Mohawk Austin Marketing Director, Taylor Catherine on bass.
We first caught the unconventional Abram Shook at The Parish on Sixth street several years ago. Vocal effects and songwriting produce a sound akin to Walker Lukens’ vocal gymnastics but with a psych bent. Think songwriter with a predilection for weird sounds.
Two Saturday’s ago Pennyfest Music Festival at Empire Control Room and Garage produced by by Austin firm, Penny Loafer PR featured a solid local line-up anchored by San Antonio’s Girl in a Coma who headlined the outdoor stage. The rest of the roster was filled with a slew of great Austin acts including Emily Wolfe, Lincoln Durham, My Jerusalem, Otis the Destroyer, Slomo Drags, Ghost Wolves and MCG. We also discovered the amazing Darkbird thanks to a tip from ACL Live’s Whitney LeMond. From MCG’s indie-pop to Otis the Destroyer’s heavy guitar-oriented rock, a wide range of music was presented at the mini-fest run by Australian founders Rob Pascolo and Sharna Haine who relocated to Austin a few years ago to launch Penny Loafer PR.
Arriving after indie-popsters Slomo Drags took the garage stage, we watched the quartet work their way through mostly new material then noticed record producer Matt Parmenter (Ice Cream Factory) singing along with the band. He mentioned he’d produced the new record which despite finishing three months ago still doesn’t have a distribution deal or label to put out the album. Slomo Drags have been courting local and national indie labels to find the right fit but haven’t managed it yet. We wouldn’t be surprised if an Austin label picked up the record. Several outfits come to mind; Chicken Ranch Records, Austin Town Hall Records and Modern Outsider all seem like appropriate labels. We could also see them on Secretly Canadian, French Kiss Records or Paper Garden Records. Whatever happens, be sure to check the new record once it drops.
Naturally we followed up an indie-pop set with more indie-pop from MCG on the Control Room stage inside. The low ceilings, light and projectors complimented Mariclaire Gamble’s remarkable vocals perfectly. With a crack quartet of musicians backing her, led by lead guitarist, David Tenczar. Gamble’s band manages just the right combination of pop, electronic and rock sounds to turn their set into a joyous party. Check out their latest, Outside EP produced by Austin’s Frenchie Smith. We think you’ll agree this band has a big future ahead.
Next we caught hard-rockers, Otis the Destroyer on the same stage. Led by Taylor Wilkins this guitar-driven act has come into it’s own on the release of latest record, “Keep Bashing,” also produced by the prolific Smith at his Bubble Studio. Wilkins has endured recent lineup changes like when his longtime bassist, Kyle Robarge relocated to Seattle this year. You can still hear Robarge on the new album. Andrew Dalton has stepped in to take over on bass when the band performs live. Aside from Wilkins exceptional stage presence and musicianship, drummer Clellan Hyatt is a dynamo. Hyatt’s atypical cymbal arrangement (he places them up higher than normal) makes him even more appealing to watch play. His arms are everywhere all at once.
365 Things Austin favorite, My Jerusalem appeared next on the inside stage. While we really love this band, the PA inside the Control Room was turned up a bit too loud for the relatively small space (compared to the Garage stage outside). There were points during the performance when they sounded distorted, as if the mixing board engineer was not aware of the issue. All of that went away though when bandleader Jeff Klein cued up his lone crooner, “No One’s Gonna Give You Love.” This song that has a hook that grabs ahold of the listener and doesn’t let go until it’s over. It’s a radio hit waiting to happen. We’ll admit to putting the tune on repeat when it dropped last year on Washington Square Records. If you didn’t click the link provided, we recommend backing up a second to take a listen.
The highlight of the evening was an outstanding set by Darkbird. Fronted by relentless vocalist Kelly Barnes, this Austin rock outfit puts on a incredibly entertaining show. Barnes dressed in a black jumpsuit and boots with ringlets of curly auburn hair framing her face, cavorted about the stage belting out lyrics as her band chugged along behind her. There simply are not many bands with a lead singer as animated as Barnes on stage. Her enthusiasm is infectious. Even our photographer was seen grinning ear-to-ear while watching the performance.
Darkbird’s band bio refuses to pigeonhole the band into a genre of music beyond rock. Some have described their sound as indie. They’re indie in the sense that they’re unsigned to a record label but we wouldn’t go as far to call them indie rockers. They’re just plain rock ‘n rollers who know how to craft a good song and put on a helluva show. Check their new singles, “Daredevil” and “Bad Self” which dropped last month.
The band’s genesis started with Barnes and Brian Cole, who co-writes the music with Barnes. We asked how they define their music. Barnes responded, “I remember saying to Brian ” I wonder what we’ll sound like” when we began and he just said, “whatever it is, it will sound like us.”
Barnes continued on, citing a few influences, “That said, I’ve always loved The Pixies, PJ Harvey, Annie Lennox etc…”
Frankly we’re looking forward to another Darkbird show. They play an acoustic set at Collide ATX September 27 and a full electric show at Oskar Blues Brewing on September 29.
Head to the author’s Do512 calendar for more local music suggestions or search the site for upcoming shows by the acts featured in this story.
You slept in, the weather is fabulous and cool, and now there is simply one thing to do to make this day completely perfect: Go to Super Soul Sunday at Icenhauer’s!
Since its beginning in 2011, this legendary #SundayFunday shindig has joined the ranks of Austin’s “must do” activities alongside swimming in Barton Springs, shopping on South Congress, and jamming at Austin City Limits. A hotspot for locals and tourists alike, this historic Rainey Street hangout is the ultimate backyard party for both the young and the young at heart.
Enjoy an afternoon relaxing in the sun, drinking giant mason jars of Sangria, and listening to Austin’s favorite 10-piece soul outfit, The Nightowls.
When: Today, September 10th
Time: 4 – 7 p.m.
83 Rainey Street
Austin, TX 78701
If you’ve been to ACL Fest over the years, you know they are constantly tweaking the experience to make it better for fans. In that grand tradition, organizers have just announced a bunch of new amenities and changes to the layout.
The new fancy stuff includes enhanced Platinum amenities—because that Platinum life just gets better and better: Platinum ticketholders will also have an exclusive viewing area in front of the main stages, a new lounge located in the northeast area of Zilker Park with a private, elevated viewing deck, side stage viewing platforms at the two main stages, and food from award-winning chefs.
Us peasants can get excited about the new wine tent (I want to go to there) which will be a shaded haven with a selection of wines from around the world. You can chill with a nice bottle of wine, cold glass of bubbly, and nibble on a delicious bite. Plus a new silent disco has been added to the schedule for both weekends. Each night from 8-10 p.m. at the Tito’s Stage, you can slip on a pair of supplied headphones and quietly groove to tunes from live DJs.
Layout-wise, there’s a new entrance gate and repositioned stages that they are hoping will create better crowd flow and avoid sound bleed issues. Now you’ll be able to enter at one of three places: the existing Lady Bird Lake Entrance, a Barton Springs East entrance, and a Barton Springs West Entrance. There will also be an additional Box Office. The festival area across Barton Springs Road, typically used for the ACL Fest Box Office, will be incorporated as part of the main festival grounds, and will host one of eight stages, as well as food and bar options.
If you are still on the fence about the fest this year, here is the rundown:
It’s taking place October 6-8 and October 13-15. On both weekends, fans will see performances from JAY-Z, Martin Garrix, The xx, Ryan Adams, Solange, FOSTER THE PEOPLE, and more on Friday, while Saturday’s festivities include Red Hot Chili Peppers, Chance The Rapper, ICE CUBE, Spoon, Tove Lo, A$AP Ferg and much more. The Killers, Gorillaz, Run The Jewels, The Head and the Heart, Vance Joy, ZHU and Milky Chance will close out Sunday night on each weekend. This year’s performance schedule is available here.
General Admission 3-Day Tickets for Weekend Two are still available, while only General Admission 1-Day Tickets for Friday and Sunday are available for Weekend One and Two here. 3-Day and 1-Day VIP Tickets, 3-Day & 1-Day Platinum Tickets, as well as Hotel Packages for both weekends are also available. Music fans ages 10 and under will be admitted free of charge accompanied by a ticketed adult.
Infinite Monkey Theorem will be donating 100% of profits of wine sales every Wednesday throughout September at all three IMT taproom locations. Funds raised will go toward Rockport Fulton’s Hurricane Harvey Recovery Fund.