Stop by Whisler’s on Wednesday evening to enjoy handcrafted cocktails and live music brought to you by Austin’s very own Atlas Maior.
Creating music inspired by sounds from around the world, Atlas Maior combines the saxophone, flutes, percussion and more to give a rhythmic performance you won’t want to miss. Check out some of their music here: https://soundcloud.com/atlas-maior.
Visit the Whisler’s patio from 8-10pm April 17 to see the local band in action.
The Austin Crawfish Festival is a festival celebrating two major industries in Texas: crawfish and beer! We bring over 8,000 pounds of fresh, Louisiana grown crawfish to Central Texas to provide an experience like no other. That’s not where it stops though, in addition to all that delicious mouth-watering crawfish, we bring some of Texas’ largest craft beer vendors to provide you beer by the pitcher! Dozens of kegs full of authentic craft beer (wine available too), fresh boiled crawfish served to you in front of live music, what could be better?
Here you’ll enjoy good food, music, dancing, exciting entertainment and games, Texan and domestic beer, and the finest local artists. Austin Crawfish Festival is a celebration of two major industries in Texas: crawfish and beer! Join us to celebrate two days of crawfish and beer deep in the heart of Texas.
Event: Austin Crawfish Festival
Date: March 8-9, 2019
Friday & Saturday 11 am – 10 pm
Age Policy: Everyones invited! 12 and under get in free
Weather: Rain or Shine (Excluding Life Threatening Weather)
Lineup: Artists and music performances are subject to change
On Saturday, December 15, Red Bull Music teams up with Austin-based collectives Unbounded and Thank You For Sweating to transform a downtown Austin venue into an all-night party. *Red Bull Music Presents: Equal Axis *is a one-of-a-kind, multi-sensory experience focused on elevating and celebrating the city’s queer community. Three-dimensional art installations and striking projections provide the backdrop for a robust line-up of DJs and performances by Austin-area dancers, drag queens and aerialists.
Connecting the crowd through sound are musical performances by Austin-based DJs and producers JEVA, Thank You For Sweating, and Wet Male, alongside San Antonio-based House of Kenzo and British-Japanese DJ/producer Maya Jane Coles who makes her Texas debut.
Austin-based performance artists include aerialists and contortionists Caty Mae and Sarah Sparkles; dancers and genderqueer personalities Josue Allen Hart and Purple Matter; and drag queens Belladonna, Leia Sakura, Ruby Knight and Tatiana Cholula.
Local artists and collectives Daigon Digital, the Hyperreal Film Club, Perpetual Design and Suzanne Wyss transform the venue into an immersive environment.
Join us as we celebrate the grand re-opening of Republic Square with a FREE all day, family-friendly celebration!
On August 1, 1839, Austin’s first plots of land were auctioned off under what we now call the Auction Oaks in present-day Republic Square. This year on the 179th anniversary, join us as we celebrate the past, present, and future of our great city at Austin’s Birthday Bash.
A full day of activities and entertainment kicks off with the SFC’s Farmers’ Market Downtown and a free community workout led by Melody Dance Fit!
MUSIC + ENTERTAINMENT By
DJ Set by Chulita Vinyl Club
Wesley Bray & The Disciples of Joy
FOOD + TREATS By
Four Brothers Venezuelan Food
Burro Cheese Kitchen
Southside Flying Pizza
Amy’s Ice Cream
Mexic-Arte Museum & Artisan Mercado and ShopATX Market
FUN + GAMES
Lawn Games, Creativity Tent, Misting Area
Follow us on social and stay tuned for more exciting announcements & the full schedule of activities!
Special thanks to: Guero’s Taco Bar • In Lieu • Texas Fun Club
Check out Jelly Ellington, live on the Oak Garden Stage.
FREE! All Ages!
Jonathan “Jelly” Ellington is an American guitarist, singer, and songwriter based in Austin, TX by way of the mountains of Asheville, NC. His vocals are smooth and soulful with an edgy guitar style, chiming in elements of raw and expressive blues-based rocknroll. Jelly has developed a reputation for exciting and untamed live performances, and has shared the stage and recorded with Grammy Award-winning artists. He has been making his mark on the Austin scene, voted Top 10 “Best Guitarist” in 2018 Austin Chronicle Austin Music Awards. Jelly released his debut album All In and is currently taking the country by storm on tour supporting the release.
Preservation Hall Jazz Band, Lucy Dacus, Kyle Craft, U.S. Girls, and Red Yarn will perform live for Austin kids and families at the 6th annual MyMusicRx + YOU WHO! Rock Show for Kids at the FADER FORT on Thursday March 15.
The YOU WHO! Rock Show for Kids is a family friendly, morning concert that benefits MyMusicRx, the flagship program of the Children’s Cancer Association (CCA). MyMusicRx bedside and online music medicine programs deliver the healing power of music to hospitalized kids across the country.
Since 2014, YOU WHO! shows have cultivated a devoted following of more than 2,500 influential Austin moms, dads, and kids, treating them to up-close performances from artists like Shakey Graves, Sara Watkins, Edward Sharpe and the Magnetic Zeroes, The Zombies, Best Coast, Heartless “Bathtubs”, Tacocat, Aloe Blacc, and Les Claypool. YOU WHO! has raised nearly $80,000 to fuel MyMusicRx programs.
MyMusicRx has served more than 180,000 children along with their families, caregivers, and medical professionals across the country including through a local in-hospital concert partnership with Dell Children’s Medical Center. In 2018, MyMusicRx will launch its bedside service at St. David’s Children’s Hospital. To ensure long-term, sustainable program growth, CCA has assembled a local advisory board comprised of community members and executives from leading Austin businesses and firms. Proceeds from ticket sales will support MyMusicRx’s local programs.
Music journalists appreciate artists who consistently challenge themselves to create something that defies norms which is one reason St. Vincent, nee Annie Clark has ingratiated herself to rock critics who have frankly, been starved for innovative music from acts that intellectually stimulates the listener beyond interesting aural textures. That may sound a bit heady but St. Vincent’s performances tend to have an elevating effect on music fans of all stripes. Her work speaks for itself in its originality. It’s exceptional art. This is an artist who considers all aspect of performance carefully and the results show. Thursday’s night one of a two-night stand at ACL Live highlighted those qualities in Clark’s work and then some.
Already accepted as a guitar goddess, St. Vincent set out with her latest release, to conquer the pop world with a concept that feels genuine and real in its presentation which is hard to do in that context. Her stage production shared a similar monochrome aesthetic to Solange’s recent tour yet, she pulled it off with more style and flair than anyone else. And she did it as a solo act, without benefit of a backing band behind her to lend more variety into the show. It was stunning how well she managed the feat, opening with a brilliantly simple black curtain that was open a crack, spotlights on the performer, then progressively opened as Clark worked her way from left to right, arranging the setlist into two parts. The first set was comprised of select cuts from her discography in chronological order, underlining the visual effect of moving laterally across the stage with each new song, moving both figuratively and literally across the timeline of her career.
The context of the show, futuristic pop-rock demanded a room with the sound quality of ACL Live. St. Vincent maxed out that potential kicking off the set with “Marry Me,” the title track off her 2007 debut. The ballad highlighted Clark’s vocal range and provided a soft launch pad for an exquisite, two-hour art-rock masterpiece. Cheers of recognition came with “Cheerleader”, then “Strange Mercy.” The latter track being the piece that grabbed our attention at St. Vincent’s NPR Showcase performance at SXSW several years ago. It was as this point in the performance, the plain black curtain was completely pulled back to reveal a gigantic, multi-colored mural of a stylized representation of a woman’s face as if the artist had been commanded to create in 8-bit graphics It was apparent Clark is a force. The “Masseduction Tour” underlined that point in heavy black marker.
Not one to banter with her audiences much, Clark waited until completing the fourth song in her set before acknowledging the crowd, “There’s no place I’d rather be than right here in Texas!” reminding fans her roots are in the state, hailing from Dallas. The singer was once of member of orchestral rock collective, The Polyphonic Spree before setting out on her own trailblazing path. As the first set ended and St. Vincent left the stage for a a brief change-over and costume change, we had time to consider the fact that all the older songs got a “pop treatment” for this tour, rendering them anew and relevant to the material presented on Masseduction which was played from start to finish second set. Yet another brilliant element of the production.
Later in show, Clark made a humorous and half-hearted attempt at improvising a little song about Austin, invoking Barton Springs Pool among other notable spots in town. The moment felt authentic, unplanned and frankly it was just plain cute how she interacted with the audience. It is clear Austin holds a special place in St. Vincent’s heart. The feeling is mutual. Clark indeed holds a special place in the hearts of Austin music fans as evidenced by the posts on social media leading into, during and after the astounding solo performance St. Vincent turned in. Keeping an audience interested for 120 minutes is no easy feat with a full band, but Clark handled the task alone with artful grace, gently, then more forcefully pulling music fans along on a carefully composed art-rock odyssey.
St. Vincent left the audience with “Smoking Section” deliberately forgoing an encore for a polished finish. We left the theater satiated, mouth agape at the singular talent that is St. Vincent, realizing her album title had achieved its aim in seducing not only us, but an entire theatre of music fans. There were plenty of folks at the Moody Thursday who’d never seen St. Vincent perform before. We guarantee they’re rabid fans now. Add pop goddess to St. Vincent’s resume.
Last week singer-songwriter Nicole Atkins made her first US tour stop in Austin at Antone’s Nightclub. The reinvented legendary blues club was the ideal spot for the chanteuse to umm… reinvent herself as a neo-soul singer in support of her Mowtown-esque new record, Goodnight Rhonda Lee. The first time you hear Atkins sing you know her voice is special. We thought so the first time we caught the singer sporting a moody indie-rock vibe and working out of Brooklyn (she’s from New Jersey). But seeing the woman sing in a format that features her voice was truly special. Folks walking by on Fifth Street heard her singing and impulsively purchased tickets. Yeah, her pipes are truly golden.
After an impressive two-man performance by The Midnight Stroll, a sober and genial Atkins and her Nashville-based band took the stage and presented songs from all four of her albums. She rolled out new single co-written with Chris Isaac, A Little Crazy early in the set showing off her Patsy Cline chops. The song features her velvety voice like it should. Another stand-out tune was a cover of Bowie’s Heroes. We’ve seen the song played by a number of artists since the legendary rocker’s death but none surpass the emotion lent to it by Atkins.
The old-school, early 60s vibe of title track to the new record felt like a crowd-pleaser too. A glance around the room revealed a fairly age-diverse crowd of music fans all with big smiles as she worked through the tune with a great band.
We spoke to her guitarist Stephen who mentioned the band had just gotten back to the States after a whirlwind European tour. He said he was happy to be in Austin as he’s from Texas but now works out of Nashville as producer and touring musician. He was excited about the upcoming American leg of the tour despite jet lag and fatigue. It’s that much fun to tour with Atkins according to the affable musician.
The road ahead looks rosy for Nicole Atkins. The one-time drinker has tamed her demons, gotten married, moved to Nashville and put out a fantastic new record that allows the listener to better hear the amazing talent that lay in her voice. The indie rock recordings she’s made are better than good, she wouldn’t have such a devoted fan base without putting out quality material, but the new direction has given her a fresh stage presence and vitality while Atkins shed’s her bad girl Rhonda Lee persona for a more stabile, happier future.
Atkins continues her tour in San Francisco, followed by dates in Portland and Seattle. The nearly non-stop schedule ends in South Carolina next April.
Tonight is the kickoff party for Saturnalia Festival in Austin. Naturally we were just as curious as you as to what Saturnalia means but the lineup comprised of mostly national and local psych-rock, alternative and world music standouts is worth checking out. We think it’s a cannot miss scenario for local music fans. Austin acts Golden Dawn Arkestra, The Octopus Project, Hard Proof, Christian Bland (The Black Angels), Money Chicha, Annabelle Chairlegs, Bushwick Bill (The Geto Boys) and Ringo Deathstarr will join out-of-town performers Allah-Las, Crocodiles, Cosmonauts, American Sharks and Sam France (Foxygen) at four locations in Austin. View the entire lineup on the festival site or poster.
The Electric Church and Hotel Vegas will host pre-parties tonight and December 1 (tomorrow). The actual festival will take place Saturday and Sunday at Webberville Road Baptist Church and the adjacent Sahara Lounge. By the way, Saturnalia is a traditional Roman holiday that celebrates the coming Winter while honoring Saturn. We don’t really need an excuse to enjoy a lineup this good but we’re happy organizers have put in the effort to book the event during a time of year when there’s typically not much going on in the local live music scene.
The Sahara Lounge and The Electric Church folks have partnered on this event to bring fans this out-of-box, small-format festival lineup oozing with talent. It doesn’t fix the fact that SOS Festival was cancelled last minute but it certainly helps ease the pain. What’s more, the festival has hired light show masters Bob Mustachio (The Black Angels), Esther Wave, Fever Dream, Astral Violet and Weird Destiny to accompany the talent at four locations in Austin over the entire four days of festival performances.
Food vendors include Eastside Kings, Southside Flying Pizza, Juiceland, Wunder Pilz, Archie Dove BBQ, Pakal, Neon Rainbow and Laced With Romance. There are plenty of trailer and sit-down retaurant options near all four venue sites as well. Check Eater Austin’s East Austin page for dining recommendations.
Tickets to Saturnalia Festival are still available. The VIP option includes access to a climate-controlled Saturnalia Lounge. Fans have the option to purchase an a four-day or daily wristband. Tickets to individual shows can be purchased “a la carte” directly from venues in advance or at the door. Grab tickets here.
Thursday, Nov 30th – The Electric Church
12-Christian Bland and The Revelators 11-The Nymphs 10-Trance Farmers
New Jersey songstress, Nicole Atkins returns to Austin Thursday at Antone’s Nightclub in support of her new record, Good Night Rhonda Lee that takes a sharp turn away from her indie-pop sound to a traditional soul recording complete with Fort Worth’s Niles City Sound Team who turned Leon Bridges into an overnight sensation. The Midnight Stroll (Aaron Behrens of Ghostland Observatory) and Thayer Serrano open the show.
Atkins’ new approach to her music spotlights the singer’s golden pipes which lay somewhat obscured by the indie-rock slant of her last album, 2014’s Slow Phaser. After being married, moving to Nashville (from NYC) and getting sober, Atkins found the material she was writing was deeply personal and introspective. She found the ideal vehicle for those compositions in Soul and R&B. The genres magnify her considerable vocal talent. It doesn’t hurt to have friends like Chris Isaak to lend a hand collaborating on the lead track, A Little Crazy after encouraging her to change her musical style,
“Atkins, you have a very special thing in your voice that a lot of people can’t or don’t do. You need to stop shying away from that thing and let people hear it.” -Chris Isaak
Listeners will identify the song as an instant classic, highlighted by vulnerable lyrics and Atkins’ apologetic tone for revealing the raw emotions swirling around her transition to a sober lifestyle, marriage and a new home. Frankly we’re eagerly anticipating how well the song translates to the Antone’s stage. The legendary Blues emporium is a the ideal spot to introduce a Soul record that takes the listener back to the Motown pop of the 1960s.
Atkins is doing it right. She hired the hottest soul producers (and musicians) in the country to back her in Joshua Block, Austin Jenkins and Chris Vivion. We suspect her newfound personal clarity will take an already seasoned and entertaining performer with an established, devoted fanbase and transform the singer into the kind of performer that gains new fans who marvel at the intimacy and emotional impact of her shows. Listening to Goodnight Rhonda Lee reveals her potential for greatness. Those may seem like heady words but if you watched Atkins’ Roadies clip above you’ll find it difficult to refute that bold claim. The album title is both a farewell to the singer’s older, self-destructive incarnation and an introduction to her new approach to making music.
Tickets are still available from the Antone’s website. Grab them before they’re sold-out. This show is one you’re going to be glad you attended.